Printmaking:
A Journey of Layers
From the first day I took a printmaking course at university, I fell in love with the medium. There's an indescribable pleasure in the process of printmaking that is incredibly addictive. My approach to printmaking is filled with surprises and excitement. I don't use printmaking techniques to get editions; rather, I use this technique because it allows me to put layers on top of each other, creating textures and lines that are impossible to achieve otherwise. Most of my prints are unique.
Before starting a piece, I spend considerable time preparing unique backgrounds and selecting the colors and layers that will go on top of each other. I often keep old prints and paintings that I feel are a good base for my work, ready to incorporate unexpected elements, which adds an element of spontaneity and joy to the process. I also enjoy adding paint strokes and pastel lines to finish them.
I work on several bodies of work simultaneously, with subjects that predominantly focus on humanity, the environment, and nature. As a woman artist, I like to combine my personal experiences and emotional reactions with my artistic knowledge to create a language of communication.
Many of my works are deeply connected to my understanding of mythology, psychology, and questioning religion. Through my art, I seek reasonable answers to many longstanding questions. Drawing inspiration from ancient cultures and mythology, I aim to speak of our daily lives in my works. This blend of historical influence and contemporary relevance is at the heart of my printmaking practice.
